Category Archives: Theology

THE SCREWTAPE LETTERS: LEWIS UNDONE

“There are two equal and opposite errors into which our race can fall about the devils. One is to disbelieve in their existence. The other is to believe, and to feel an excessive and unhealthy interest in them. They themselves are equally pleased by both errors and hail a materialist or a magician with the […]

STC’s ORESTEIA: 5% AESCHYLUS (95% MCLAUGHLIN)

Aeschylus’ trilogy The Oresteia stands as one of the pillar’s of Western Civilization. The three plays together mark society’s turn from a collection of families and clans whose personal interests dominate to the polis, the city, for which justice must mean more than individual retribution. In the process, the gods lead the way; humans are […]

THE MET OPERA’S DIALOGUES DES CARMELITES : OPERA’S DIVINE LADDER OF ASCENT

 Sixteen days after John Dexter’s  1977 production of  Dialogues des Carmélites (Dialogues of the Carmelites)    opened at the Metropolitan Opera a detonated tear gas canister in the lobby forced the 4,000 members of the audience to evacuate the building. Suddenly fear was not just a theme in Mr. Poulenc’s great opera about the human struggle with […]

THE MET’S DIE WALKURE: A SUBLIME RETURN TO THE HEART OF THE FIRST RING

With an opera production as overwhelming as Robert Lepage’s Die Walkure at the Metropolitan Opera, adjectives seem unable to capture the majesty and profundity of the experience. “Spectacular”? “Magnificent”? “Sublime”? All of those and more. And in the most difficult of all art forms. Opera has so many variables subject to personal disposition, physical strength, […]

REGENT’S DEAR BRUTUS: J.M. BARRIE’S MIDDLE-AGE MEDITATION

If you could live your life over again, would you do it the same way? This question has probably crossed everyone’s mind at one time or another. The Christian Church proclaims that one has many chances through repentance to enter the process of theosis. It certainly crossed the mind of Peter Pan’s author, the Scotsman […]