Category Archives: Books

MERCURY THEATER CHICAGO FINDS GOLD IN BIG RIVER

“All right, then, I’ll go to hell.” Those seven words from chapter 31 of Mark Twain’s The Adventures of Huckleberry Finn are among the most memorable in American literature. At this point in the novel, Huck Finn has just realized the con artists, the  Duke and Dauphin, have betrayed the runaway slave Jim and sold […]

LYRIC’S FIDDLER ON THE ROOF: SWAN SONG FOR TRADITION

Fiddler on the Roof, the world-famous musical adaptation of the stories of Sholom Aleichem, opens with the glorious song, “Tradition”, which proudly announces the subject of the musical story about to unfold. The dean of American theater critics Harold Clurman explains what is meant here by “tradition”: “This tradition, which might superficially be taken to […]

RED-BLOODED ERNANI OPENS LYRIC SEASON

None of Verdi’s four previous operas did as much as Ernani for his reputation. Ernani (1844) owed its popularity to the coattails of Victor Hugo’s monumental Hernani (1830). Critics who complain of Ernani’s plot devices totally misunderstand what Victor Hugo was trying to do. The play Hernani was a full-scale assault on the reigning New-Classicism […]

RAVINIA OFFERS A MAGNIFICENT DON GIOVANNI

When opera arrived in Chicago, Mozart’s masterpiece Don Giovanni lagged behind in public approval. The Chicago Tribune reports that in 1867 “Don Giovanni has literally fought its way into public favor here. When first produced it attracted only musicians who recognized its intrinsic worth. But year after year Don Giovanni audiences grow larger and larger. […]

SINGING SAVES STONE’S CAMPY LUCIA AT THE MET

  In 1964 the literary critic Susan Sontag published the definitive work “On Camp”’ in which she defined the genre as loving “the unnatural, the artificial, the exaggerated.” In art, Camp’s exaggeration proceeds from both passion and naiveté, both of which opera director Simon Stone employed in his production of Lucia di Lammermoor at the […]