Author Archives: Paul Kuritz

C.S. LEWIS DEFENDS THE LORD OF THE RING

CS Lewis’ Response to Critics of The Lord of the Rings: The Dethronement of Power Posted on January 6, 2018by Earthoak C. S. Lewis’ defence of Tolkien’s work gives insight into the types of criticism it elicited. Chief among those criticisms were its supposed lack of realism, and lack of character development or moral complexity. Lewis robustly argues […]

THE MET’S AKHNATEN: A HYMN TO THE TRUE LIGHT

When Philip Glass’ Akhnaten first appeared in 1984, the New York Daily News was moved to label Mr. Glass “the Ronald Reagan of composers. This time around,  no one is thinking of Ronald Reagan after experiencing the Glass/Kamensek/McDermott/Pollard/Pay  production at the Metropolitan Opera. Instead, the words ”breathtaking”, “hypnotic”, “gorgeous”, “luscious”, “overwhelming”, and “beautiful,” are most […]

LYRIC OPERA CHICAGO : THE OLD BARBER HAS STILL GOT IT

The history of what is popularly called Italian opera began in the United States with a performance of Rossini’s lyrical comedy “Il Barbiere di Siviglia”, The Barber of Seville. The place was the Park Theatre, then situated in Chambers Street, east of Broadway, and the date November 29, 1825.[i] It was Manuel Garcia’s troupe that […]

THE MET’S MANON: THE “ETERNAL WOMAN” RETURNS

Jules Massenet (1842-1912) premiered  his new opera,  Manon,  on 19 January 1884 at Paris’ Opera Comique, the home to the city’s middle-class audience, an audience accustomed to the spoken dialogue featured in Massenet’s work. It was a hit. “Those who do not object on principle to being entertained in the opera house, rather than hectored, […]

RAVEN’S SUNDOWN YELLOW MOON: ALL SMOKE, LITTLE FIRE

A Yellow Moon is sometimes called a Harvest Moon, appearing, as it does, at the time one reaps what has been sewn. As such, Rachel Bonds, the author of Sundown Yellow Moon now playing at the Raven Theater, has named her drama-with-occasional music  with a prophetic nod to the play’s possible action. Members of a […]