Author Archives: Paul Kuritz

STARS BRIDGES AND CASTRONOVO POWER LYRIC’S CARMEN

An insignificant novel gave birth to Bizet’s great opera, Carmen, second only to Puccini’s La Boheme among the world’s most popular operas. The novelist Prosper Merimee’ introduces the famous heroine with these words; I heard some bystanders say, ‘Here comes the gitanella!’ Then I lifted up my eyes, and I saw her! It was that very Carmen you […]

The Storm Theatre Company Offers Charming Boucicault

On November 6, 1883 , The Chicago Tribune reported that the “laughter and applause” at last evening’s performance of The Shaughraun at McVicker’s Theater, poved that author and star Mr. Dion Boucicault “has lost none of his power to please.” The same may be said of  the current poduction of Boucicault’s rarely produced The Shaughraun. […]

A TALE OF TWO DIVAS: FLORIA AND FEDORA

On Friday January 12, the streaming service Stage Access broadcast the Vienna State Opera’s 2020 production of Tosca to commemorate the 123rd anniversary of the great opera. The next day ,the Metropolitan Opera transmitted an HD broadcast of Umberto Giordano’s rarely seen 125 year-old opera Fedora. Tosca starred the reigning queen of dramatic sopranos, the  […]

LYRIC’S FIDDLER ON THE ROOF: SWAN SONG FOR TRADITION

Fiddler on the Roof, the world-famous musical adaptation of the stories of Sholom Aleichem, opens with the glorious song, “Tradition”, which proudly announces the subject of the musical story about to unfold. The dean of American theater critics Harold Clurman explains what is meant here by “tradition”: “This tradition, which might superficially be taken to […]

RED-BLOODED ERNANI OPENS LYRIC SEASON

None of Verdi’s four previous operas did as much as Ernani for his reputation. Ernani (1844) owed its popularity to the coattails of Victor Hugo’s monumental Hernani (1830). Critics who complain of Ernani’s plot devices totally misunderstand what Victor Hugo was trying to do. The play Hernani was a full-scale assault on the reigning New-Classicism […]