Category Archives: Acting

THE NT LIVE’S ANTONY AND CLEOPATRA : WHEN ONE CHOOSES LOVE

In Western Civilization’s foundational myth, the great Trojan warrior Aeneas chooses duty over love when he leaves the exotic Dido in Carthage to do his duty, to found Rome. William Shakespeare considers what might have happened had Aeneas remained with Dido in the form of his towering Tragedy of Antony and Cleopatra (1606). First of all, […]

THE LONDON PALLADIUM KING AND I: NOT GOOD

The King and I gets  its power from the fact that, at its core, the story is a retelling of the Beauty and the Beast tale. The Lyric Opera of Chicago’s production of the musical made that crystal clear when it cast a nice guy where the beast should have been. The tension and suspense […]

NORFOLK LITTLE THEATRE’S THE FOREIGNER: “BLASNY, BLASNY”

In the midst of perplexity, doubt, fear, anger, and uncertainty, laughter may be the fragrance that freshens the air.[i] Terry Lindvall,  Virginia Wesleyan University The air in and around Norfolk’s Little Theatre on Claremont Avenue  is definitely fresh courtesy of a satisfying production of Larry Shue’s 1983 farce, The Foreigner, featuring the fine acting of […]

VIRGINIA OPERA’S DON GIOVANNI: FABULOUS FUN

After surveying the centuries of Don Juan incarnations, David Bentley Hart concludes that the character is simply now “beyond our ken”[i] While that may be true in the world of philosophy, in the nuts and bolts world of theater “ken”, or understanding, is what is demanded by performers and audience alike. So rather than pick […]

THE MET’S LA FANCIULLA DEL WEST- AMERICA’S OPERA WORLD PREMIERE

Heidi Waleson’s new history of the New York City Opera Mad Scenes and Exit Arias makes clear that the Metropolitan Opera was no friend to its Lincoln Center neighbor. The occasion of the Met’s production of Puccini’s La Fanciulla del West should remind us that the Met has never welcomed any rival to its place […]