Category Archives: Current Events

THE MET’S LA FILLE DU REGIMENT: ALMOST PERFECT

With seven operas by the young upstart  Italian  composer opening within a year, the French composers of Paris had had enough. Speaking for his aggrieved colleagues, Hector Berlioz wrote, Mr. Donizetti seems to treat us like a conquered country; it is a veritable invasion n. One can no longer speak of the opera houses of […]

THE ABBEY THEATRE’S TWO PINTS: On-Site Brilliance

If you were to guess the location of the Abbey Theatre’s first ever on-site theater production, the answer should be a “no-brainer”: A Pub. Of course. Even the dead,  but still-great, American dramaturgical pub-bard Eugene O’Neill could have guessed that. For the past year or so the world-famous theatre company has been taking their new […]

VIRGINIA OPERA OFFERS A RADIANT ELIXIR OF LOVE

I first heard about elixirs of love in 1959 when, through my transistor radio, I heard Jed Lieber’s words about that gypsy with the gold-capped tooth She’s got a pad on Thirty-Fourth and Vine Sellin’ little bottles of Love Potion Number Nine While a new idea to me at the time, the concept of a […]

THE MET OPERA’S ADRIANA LECOUVREUR: NETREBKO IS MELPOMENE

At the end of Francesco Cilea’s 1902 opera Adriana Lecouvreuer librettist Arturo Colautti adds a passage not found in the original 1849 play Adrienne Lecouvreur  by Eugene Scribe and Ernest Legouve. As the great actress dies, Colautti presents her as hallucinating: Stand aside, Philistines! I am Melpomene! Behold the Light that leads me on, That […]

THE PLAY THAT GOES WRONG: A PLAY FOR OUR TIME

Of all the types of drama, farce is the most politically incorrect. In fact, according to Aristotle, farce exists to evoke laughter and ridicule toward characters we deem to be  “not normal”. The farceur urges his audience to identify characters as worse than we are in all kinds of ways – socially, physically, morally, intellectually, […]