Category Archives: Opera

Michelle Bradley is Lyric Opera’s AIDA, Chicago’s Favorite Opera

Not long after Aida premiered in Cairo on Christmas Eve of 1871, Verdi’s opera was playing in Chicago, first in April 0f 1885 and then in December 0f 1886. The first Chicago Grand Opera Festival under the sponsorship of the Chicago Opera Festival Organization, J.H. Mapleson manager, was billed as “Music for the People! The […]

VERDI’S THE FORCE OF DESTINY AT THE METROPOLITAN OPERA

The Force of Destiny was a Verdi opera unknown to me. I began my usual pre-performance routine. I read about Verdi’s life as he began writing the Force of Destiny . I read the play upon which the libretto is based. I then read the libretto and listened to a few audio recordings. I would […]

LYRIC OPERA’S CINDERELLA: A RED-BLOODED BEL CANTO VALENTINE

Gioachino Rossini (1792-18868) was but 24 years old when he wrote his world-famous opera The Barber of Seville. The following year he wrote Cinderella (Cenerentola), which was more popular than his Barber for many years. After composing forty operas, he retired at age 46, never to write another opera. The Cinderella (Cerenterola) (1817) by Rossini […]

THE MET’S CARMEN: BRILLIANT MUSICIANSHIP, BUT TEX-MEX IS NOT SPAIN.

“Bullfighting is the only art form that both represents something and is that thing at the same time: the matador’s elegant immobility in the face of the bull not only represents man’s defiance of death, it is a man defying death, and there are women who do it too.”[i] In Bizet’s classic opera Carmen, the metaphor of the life defying […]

The Met’s NABUCCO: Verdi’s Beautiful Prayer for those in Exile

On February 23 of last year, Naomi Wolf,  author, feminist and former advisor to Bill Clinton and Al Gore published a remarkable essay, “Have the Ancient Gods returned?” In it she quotes Jonathan Cahn’s book The Return of The Gods[i]           “Having accurately traced the lineage of pagan worship and pagan forces, Cahn makes the […]