Category Archives: Quotations

TOI’s HANSEL AND GRETEL: BEAUTIFUL AND FUN AND UNIVERSALLY TRUE

Why a fairy tale? A fairy tale explains the world to both youngsters and to adults, who may have forgotten important truths. As the fairy tale master Bruno Bettelheim explains, the fairy tale expresses in words and actions the things which go on in the child’s, or childlike adult, mind. Or as G.K. Chesterton rightly […]

THE MET OPERA’S IL TROVATORE: THE TRAGEDY OF VENGEANCE

Giuseppe Verdi’s Il Trovatore is probably best known as the center of the Marx Brothers great film comedy A Night at the Opera. Ridicule, parody, burlesque and satire have followed the opera almost even from composition. Based on the classic Spanish Romantic drama El Trovador by Antonio Garcia Gutiérrez, librettist Salvadore Cammarano sent Verdi a […]

THE MET’S MADAMA BUTTERFLY: THE POWER OF UNIVERSALS

The most recent study names Puccini’s Madama Butterfly as the sixth most popular opera in the world. In fact, seeing the opera at the age of sixteen prompted Yoko Watanabe (1953-2004) to a singing career, eventually to the position of the most famous of Japanese opera singers, certainly to be one of the most acclaimed […]

TIDEWATER STAGE’S DIAL M FOR MURDER: FABULOUS THEATER

“Smell-o-vision” “Illusion-o” “Percepto” “Sensurround” “3D” The history of film can be seen as an ongoing attempt to use technology to reproduce and distribute the power of live stage performance inexpensively to a wide audience. Before considering the work at Tidewater Stage, let’s look at the journey Frederick’s Knott’s tale took to get to Virginia Beach. […]

Virginia Stage Company’s CROWNS: A Majestic Theater Event

In his first letter to the Thessalonians, Saint Paul asked, For what is our hope or joy or crown of boasting before our Lord Jesus at his coming? Is it not you? Saint John Chrysostom explained that, ”he who will not seek in the well being of his neighbor his own benefit will not attain […]

CHICAGO SHAKESPEARE’S MACBETH: Imagination’s Descent into Hell

 Viewed in the context of his other work, Macbeth is Shakespeare’s Descent into Hell. And since it is his Inferno, it is appropriate that the terrestrial and celestial parts of his universe should figure slightly.[i] Those words by University of Chicago Shakespearean scholar Harold Goddard summarize the production Aaron Posner and Teller have created at […]

STUDIO THEATRE’S TRANSLATIONS: ANOTHER KIND OF PRODIGAL SON

Set in rural Ireland in 1833, Brian Friel’s’ Translations explores the troubles brought to a handful of characters following the return of a prodigal son.  Whereas the prodigal in Christ’s parable returned ashamed and broken, Friel’s prodigal returns home proud and puffed up. Maire, a local maiden, has long been betrothed to Manus, the oldest […]

THE MET’S COSI FAN TUTTE: MOZART IN A BOX

During the overture, and before a gaudy show curtain, the canary-colored zoot-suited con man Don Alfonso, presents his co-conspirator and inamorata Despina with a magician’s bouquet of flowers and a very large travelling box, tied up with a bow. She hits him with the flowers, but helps him remove the bow and open the gift […]

VIRGINIA OPERA’S LUCIA: DON’T MISS THIS ROMANTIC TRAGEDY

What one sees on the Harrison Opera House stage with Lucia Di Lammermoor (1835) represented an historic change in tragic storytelling. It is also an opera production you should not miss, whether you are a seasoned opera-goer, or a would-be rookie thinking about trying out the art for the first time. In Lucia, the hero […]

NATIONAL THEATRE’S JULIUS CAESAR: THE JOHN WILKES BOOTH INTERPRETATION RETURNS

Julius Caesar opened Shakespeare’s new Globe Theatre in 1599. Having completed his history cycle, Shakespeare turned to a political drama set in the ancient past. History was fertile ground through which to make  political points about the issues of the day. Julius Caesar was to Rome as Elizabeth I was to England – an aging […]