Category Archives: Men and Women

VIRGINIA STAGE COMPANY: ALWAYS… PATSY CLINE :THE TROUBADOUR AS HERO

The March 7, 1963 headlines blazoned the news across the front page of the Los Angeles Times: Three ‘Grand Old Opry’ Stars Die in Air Crash. Bodies of Patsy Cline, Hankshaw Hawkins and Cowboy Copas Found on Tennessee Hill. And it happened just four years after another plane crash took the lives of Buddy Holly, […]

TOI’s HANSEL AND GRETEL: BEAUTIFUL AND FUN AND UNIVERSALLY TRUE

Why a fairy tale? A fairy tale explains the world to both youngsters and to adults, who may have forgotten important truths. As the fairy tale master Bruno Bettelheim explains, the fairy tale expresses in words and actions the things which go on in the child’s, or childlike adult, mind. Or as G.K. Chesterton rightly […]

STUDIO THEATRE’S TRANSLATIONS: ANOTHER KIND OF PRODIGAL SON

Set in rural Ireland in 1833, Brian Friel’s’ Translations explores the troubles brought to a handful of characters following the return of a prodigal son.  Whereas the prodigal in Christ’s parable returned ashamed and broken, Friel’s prodigal returns home proud and puffed up. Maire, a local maiden, has long been betrothed to Manus, the oldest […]

THE MET’S LUISA MILLER: A TALE OF THREE FATHERS

Tragedy has been defined as a family destroyed and comedy as a family being created. Due to his own tragic experiences, Giuseppe Verdi was always interested in putting families on stage. The deaths of his children and his first wife had a profound and permanent effect on Verdi. In addition, he was a dutiful son […]

THE MET’S COSI FAN TUTTE: MOZART IN A BOX

During the overture, and before a gaudy show curtain, the canary-colored zoot-suited con man Don Alfonso, presents his co-conspirator and inamorata Despina with a magician’s bouquet of flowers and a very large travelling box, tied up with a bow. She hits him with the flowers, but helps him remove the bow and open the gift […]

VIRGINIA OPERA’S LUCIA: DON’T MISS THIS ROMANTIC TRAGEDY

What one sees on the Harrison Opera House stage with Lucia Di Lammermoor (1835) represented an historic change in tragic storytelling. It is also an opera production you should not miss, whether you are a seasoned opera-goer, or a would-be rookie thinking about trying out the art for the first time. In Lucia, the hero […]

LITTLE THEATRE OF NORFOLK’S DEATH OF A SALESMAN: THE SOUL SURVIVOR

Jack Kline, president and chief operating officer of Christie Digital Systems USA, Inc. says “people like to do business with people they like. That’s just a natural part of the way people operate.” People prefer the people they like. Jurors prefer the more likeable attorney. Voters prefer the more likable candidate. Buyers prefer to purchase […]

THE MET’S LA BOHEME: DEATH COMES TO NEVERLAND

A band of lost boys, living high above the twentieth century’s urban world, who won’t grow up, led by a free spirit unable to trust the love of the girl who loves him totally. J.M. Barrie’s Peter Pan? Think again. Giacomo Puccini’s La Boheme. Imagine Peter cradling a dying Wendy in his arms and you […]

VIRGINIA OPERA’S DREAM: THE MYSTICISM OF HAPPINESS

The great British essayist G. K. Chesterton considered Shakespeare’s A Midsummer Night’s Dream to be a masterful presentation of “the mysticism of happiness.” He went on to explain: “That is to say, it is the conception that when a man lives upon a borderland he may find himself in the spiritual or supernatural atmosphere, not […]

LADY BIRD: A TREE GROWS IN SACRAMENTO

The story was called the “best of the year” by the New York Times The author was hailed as a “fresh, original, finished talent” who tells a story about a young girl’s “coming of age”, “growing up and the beginning of wisdom,” “no unsavory detail” is omitted in a tale that has “light and air […]