Category Archives: from Paul

Paul’s posts.

MAZZOLA, BIRNBAUM, AND SINGING ACTORS OFFER A BRILLIANT RIGOLETTO TO OPEN OPERA SEASON

For the past several years one couldn’t find a production of Giuseppe Verdi’s Rigoletto outside of a “new and improved interpretation”, usually set in a time and place closer to our own. The reasoning was that such a reinterpretation made it easier for the  “boobus Americani” to see how the themes of the work relate […]

ON THE 20TH CENTURY: ANOTHER HOMEGROWN CHICAGO MUSICAL SMASH

Unlike the fear of Y2K which heralded the new 21st century, the arrival the twentieth century was the occasion for enthusiasm, hope, and braggadocio. President William McKinley: “The century now drawing to a close has been most memorable in the world’s progress and history. The march of mankind in moral and intellectual advancement has been […]

MADAMA BUTTERFLY AT THE MET: ASMIK GREGORIAN IS BUTTERFLY

The most recent study names Puccini’s Madama Butterfly as the sixth most popular opera in the world. In fact, seeing the opera at the age of sixteen prompted Yoko Watanabe (1953-2004) to a singing career, eventually to the position of the most famous of Japanese opera singers, certainly to be one of the most acclaimed […]

MET OPERA OFFERS RONDINE, PUCCINI’S FRAGILE BITTERSWEET DELICACY

The invitation from Vienna to create an opera based on a sketch by Alfred Maria Willner, Franz Lehar’s librettist, tested Puccini’s stated dislike of the operettas with spoken dialogue . “It is the usual slipshod, banal operetta, the usual contrast between East and West, ballroom festivities and opportunities for dancing, with no study of character […]

ELIJAH STILL SPEAKS THROUGH MENDELSSOHN’S GLORIOUS MUSIC AT CSO

  “Elijah is the peak of religious music between Beethoven’s Christ on the Mount of Olives (1802) and Wagner’s Parsifal (1882).” –Eduard Jacob Heinrich Elijah (1846), the second oratorio by Felix Mendelssohn, pays tribute  to Mendelssohn’s love and championship of the oratorios of Handel and Bach. Elijah is Mendelssohn’s reaffirmation of his Jewish heritage and […]