Category Archives: from Paul

Paul’s posts.

Michelle Bradley is Lyric Opera’s AIDA, Chicago’s Favorite Opera

Not long after Aida premiered in Cairo on Christmas Eve of 1871, Verdi’s opera was playing in Chicago, first in April 0f 1885 and then in December 0f 1886. The first Chicago Grand Opera Festival under the sponsorship of the Chicago Opera Festival Organization, J.H. Mapleson manager, was billed as “Music for the People! The […]

VERDI’S THE FORCE OF DESTINY AT THE METROPOLITAN OPERA

The Force of Destiny was a Verdi opera unknown to me. I began my usual pre-performance routine. I read about Verdi’s life as he began writing the Force of Destiny . I read the play upon which the libretto is based. I then read the libretto and listened to a few audio recordings. I would […]

GIRL FROM THE NORTH COUNTRY: A HYMN TO THE HUMAN SOUL

Conor McPherson, the world’s greatest English-language playwright asked Nobel Prize winner Bob Dylan  if he would be interested in using his songs in a theater piece. The result is the magnificent folk-opera Girl from the North Country, which we saw in October 0f 2018 at New York’s Public Theatre. Since then, director McPherson has been […]

LYRIC OPERA’S CINDERELLA: A RED-BLOODED BEL CANTO VALENTINE

Gioachino Rossini (1792-18868) was but 24 years old when he wrote his world-famous opera The Barber of Seville. The following year he wrote Cinderella (Cenerentola), which was more popular than his Barber for many years. After composing forty operas, he retired at age 46, never to write another opera. The Cinderella (Cerenterola) (1817) by Rossini […]

PORCHLIGHT’S “ANYTHING GOES” IS A “DE-LOVELY” SURPRISE

When the musical comedy Anything Goes first played in Chicago in 1934 the nation and the city were caught in the country’s worst economic situation – The Great  Depression. The Great Depression was particularly severe in Chicago because of the city’s reliance on manufacturing, the hardest hit sector nationally. Only 50 percent of the Chicagoans […]