Monthly Archives: May 2022

SINGING SAVES STONE’S CAMPY LUCIA AT THE MET

  In 1964 the literary critic Susan Sontag published the definitive work “On Camp”’ in which she defined the genre as loving “the unnatural, the artificial, the exaggerated.” In art, Camp’s exaggeration proceeds from both passion and naiveté, both of which opera director Simon Stone employed in his production of Lucia di Lammermoor at the […]

STEPPENWOLF’S SEAGULL SOARS IN NEW TRANSLATION, NEW THEATRE

The almost half century old Steppenwolf Theatre opened its new 600 seat Ensemble Theater with a beautiful new translation of Anton Chekhov’s historic play, directed by the translator  Yasen Peyankov. The Seagull, directed by Konstantin Stanislavski for the new Moscow Art Theater, established the Russian theater as one of the finest in the world, and […]

IRISH THEATRE OF CHICAGO: MOLLY SWEENEY – HAVING EYES BUT NOT SEEING

Molly Sweeney (1994), presented by the Irish Theatre of Chicago at the Chopin Theatre, is the second of two plays (the other is The Faith Healer (1979),  in which the great Irish playwright Brian Friel (1929-2015) explores the subjects of religion and science, faith and disappointment, and seeing and understanding. Healing is the topic of […]