MET OPERA OFFERS RONDINE, PUCCINI’S FRAGILE BITTERSWEET DELICACY

The invitation from Vienna to create an opera based on a sketch by Alfred Maria Willner, Franz Lehar’s librettist, tested Puccini’s stated dislike of the operettas with spoken dialogue . “It is the usual slipshod, banal operetta, the usual contrast between East and West, ballroom festivities and opportunities for dancing, with no study of character […]


ELIJAH STILL SPEAKS THROUGH MENDELSSOHN’S GLORIOUS MUSIC AT CSO

  “Elijah is the peak of religious music between Beethoven’s Christ on the Mount of Olives (1802) and Wagner’s Parsifal (1882).” –Eduard Jacob Heinrich Elijah (1846), the second oratorio by Felix Mendelssohn, pays tribute  to Mendelssohn’s love and championship of the oratorios of Handel and Bach. Elijah is Mendelssohn’s reaffirmation of his Jewish heritage and […]


METROPOLITAN OPERA OFFERS EXQUISITE ROMEO ET JULIETTE

Charles Gounod (1818 –1893) was interested in an adaptation of Shakespeare’s Romeo and Juliet completed by Paul Jules Barbier (8 March 1825 – 16 January 1901) and Michel Carré (20 October 1821– 27 June 1872). The atmosphere of Provence where he began to compose fed his inspiration as he worked quickly and surely. He seemed […]


Michelle Bradley is Lyric Opera’s AIDA, Chicago’s Favorite Opera

Not long after Aida premiered in Cairo on Christmas Eve of 1871, Verdi’s opera was playing in Chicago, first in April 0f 1885 and then in December 0f 1886. The first Chicago Grand Opera Festival under the sponsorship of the Chicago Opera Festival Organization, J.H. Mapleson manager, was billed as “Music for the People! The […]


VERDI’S THE FORCE OF DESTINY AT THE METROPOLITAN OPERA

The Force of Destiny was a Verdi opera unknown to me. I began my usual pre-performance routine. I read about Verdi’s life as he began writing the Force of Destiny . I read the play upon which the libretto is based. I then read the libretto and listened to a few audio recordings. I would […]