Category Archives: from Paul

Paul’s posts.

STUDIO THEATRE’S TRANSLATIONS: ANOTHER KIND OF PRODIGAL SON

Set in rural Ireland in 1833, Brian Friel’s’ Translations explores the troubles brought to a handful of characters following the return of a prodigal son.  Whereas the prodigal in Christ’s parable returned ashamed and broken, Friel’s prodigal returns home proud and puffed up. Maire, a local maiden, has long been betrothed to Manus, the oldest […]

THE MET’S LUISA MILLER: A TALE OF THREE FATHERS

Tragedy has been defined as a family destroyed and comedy as a family being created. Due to his own tragic experiences, Giuseppe Verdi was always interested in putting families on stage. The deaths of his children and his first wife had a profound and permanent effect on Verdi. In addition, he was a dutiful son […]

THE MET’S COSI FAN TUTTE: MOZART IN A BOX

During the overture, and before a gaudy show curtain, the canary-colored zoot-suited con man Don Alfonso, presents his co-conspirator and inamorata Despina with a magician’s bouquet of flowers and a very large travelling box, tied up with a bow. She hits him with the flowers, but helps him remove the bow and open the gift […]

VIRGINIA OPERA’S LUCIA: DON’T MISS THIS ROMANTIC TRAGEDY

What one sees on the Harrison Opera House stage with Lucia Di Lammermoor (1835) represented an historic change in tragic storytelling. It is also an opera production you should not miss, whether you are a seasoned opera-goer, or a would-be rookie thinking about trying out the art for the first time. In Lucia, the hero […]

NATIONAL THEATRE’S JULIUS CAESAR: THE JOHN WILKES BOOTH INTERPRETATION RETURNS

Julius Caesar opened Shakespeare’s new Globe Theatre in 1599. Having completed his history cycle, Shakespeare turned to a political drama set in the ancient past. History was fertile ground through which to make  political points about the issues of the day. Julius Caesar was to Rome as Elizabeth I was to England – an aging […]

LITTLE THEATRE OF NORFOLK’S DEATH OF A SALESMAN: THE SOUL SURVIVOR

Jack Kline, president and chief operating officer of Christie Digital Systems USA, Inc. says “people like to do business with people they like. That’s just a natural part of the way people operate.” People prefer the people they like. Jurors prefer the more likeable attorney. Voters prefer the more likable candidate. Buyers prefer to purchase […]

The Met’s SEMIRAMIDE: Glorious Singing

Shakespeare’s great comedy A Midsummer Night’s Dream is not the only drama with a scene set at “Ninny’s Tomb.” When the rude mechanicals enact “The Most Lamentable Comedy, and Most Cruel Death of Pyramus and Thisby,” Bottom and Snug mispronounce King Ninus’ tomb as “King “Ninny’s Tomb”. There is no mistaking King Ninus’ Tomb in […]

National Theatre Live: The Expressionist Hamlet

Lyndsay Turner’s Hamlet, starring Benedict Cumberbatch, is strikingly different from other recent Hamlets. Rory Kinnear ‘s Hamlet directed by Nicholas Hytner, Kenneth Branagh’s 1996 self-directed Hamlet, and Greg Doran’s 2009 David Tennant Hamlet all evidenced the influence of John Barton’s magisterial elucidation of how Shakespeare’s language needed to be played. Barton insisted on a detailed […]

THE MET’S LA BOHEME: DEATH COMES TO NEVERLAND

A band of lost boys, living high above the twentieth century’s urban world, who won’t grow up, led by a free spirit unable to trust the love of the girl who loves him totally. J.M. Barrie’s Peter Pan? Think again. Giacomo Puccini’s La Boheme. Imagine Peter cradling a dying Wendy in his arms and you […]

VIRGINIA OPERA’S DREAM: THE MYSTICISM OF HAPPINESS

The great British essayist G. K. Chesterton considered Shakespeare’s A Midsummer Night’s Dream to be a masterful presentation of “the mysticism of happiness.” He went on to explain: “That is to say, it is the conception that when a man lives upon a borderland he may find himself in the spiritual or supernatural atmosphere, not […]