Category Archives: Books

RED-BLOODED ERNANI OPENS LYRIC SEASON

None of Verdi’s four previous operas did as much as Ernani for his reputation. Ernani (1844) owed its popularity to the coattails of Victor Hugo’s monumental Hernani (1830). Critics who complain of Ernani’s plot devices totally misunderstand what Victor Hugo was trying to do. The play Hernani was a full-scale assault on the reigning New-Classicism […]

RAVINIA OFFERS A MAGNIFICENT DON GIOVANNI

When opera arrived in Chicago, Mozart’s masterpiece Don Giovanni lagged behind in public approval. The Chicago Tribune reports that in 1867 “Don Giovanni has literally fought its way into public favor here. When first produced it attracted only musicians who recognized its intrinsic worth. But year after year Don Giovanni audiences grow larger and larger. […]

SINGING SAVES STONE’S CAMPY LUCIA AT THE MET

  In 1964 the literary critic Susan Sontag published the definitive work “On Camp”’ in which she defined the genre as loving “the unnatural, the artificial, the exaggerated.” In art, Camp’s exaggeration proceeds from both passion and naiveté, both of which opera director Simon Stone employed in his production of Lucia di Lammermoor at the […]

STEPPENWOLF’S SEAGULL SOARS IN NEW TRANSLATION, NEW THEATRE

The almost half century old Steppenwolf Theatre opened its new 600 seat Ensemble Theater with a beautiful new translation of Anton Chekhov’s historic play, directed by the translator  Yasen Peyankov. The Seagull, directed by Konstantin Stanislavski for the new Moscow Art Theater, established the Russian theater as one of the finest in the world, and […]

THE METROPOLITAN OPERA’S RIGOLETTO: MISDIRECTED BEAUTY

Two years after the 1851 premiere of Rigoletto at La Fenice in Venice, Verdi summarized his opera in words which seem to pertain to almost every production of the opera: As far as dramatic effectiveness is concerned, it seems to me that the best material I have yet put to music (I’m not speaking of […]