Category Archives: Art

DIRECTOR RE-WRITES FLYING DUTCHMAN

Director Terry McCabe has written brilliantly about the director’s historical obligation to a dramatic  text: “I believe the director’s job is to tell the playwright’s story as clearly and as interestingly as possible.”[i] The operas of Richard Wagner debuted in Chicago with Leonard B. Grover (1833-1926) whose company first performed a Wagnerian opera in the […]

BEETHOVEN, MUTI, AND THE GLORY OF GOD

For his final concert as Musical Director of the Chicago Symphony Orchestra Riccardo Muti chose Beethovan’s Missa Solemnis. He has compared  Beethoven’s Missa solemnis to “climbing Mount Everest. It is the greatest religious sermon in music. It is the Sistine Chapel of music — a work so complex that it makes every interpreter’s wrists tremble.” The Missa […]

IT’S MAHLER TIME !!

In 2016, the  British Broadcasting Corporation (BBC) invited 150 of the world’s leading conductors to vote for what they considered the greatest symphonies ever written. Beethoven and Brahms — not surprisingly— had two each in the top ten. But three of those places were occupied by Gustav Mahler. Chicago seems to be experiencing  the  year […]

RED-BLOODED ERNANI OPENS LYRIC SEASON

None of Verdi’s four previous operas did as much as Ernani for his reputation. Ernani (1844) owed its popularity to the coattails of Victor Hugo’s monumental Hernani (1830). Critics who complain of Ernani’s plot devices totally misunderstand what Victor Hugo was trying to do. The play Hernani was a full-scale assault on the reigning New-Classicism […]

SINGING SAVES STONE’S CAMPY LUCIA AT THE MET

  In 1964 the literary critic Susan Sontag published the definitive work “On Camp”’ in which she defined the genre as loving “the unnatural, the artificial, the exaggerated.” In art, Camp’s exaggeration proceeds from both passion and naiveté, both of which opera director Simon Stone employed in his production of Lucia di Lammermoor at the […]