Category Archives: Acting

THE MET’S LA FILLE DU REGIMENT: ALMOST PERFECT

With seven operas by the young upstart  Italian  composer opening within a year, the French composers of Paris had had enough. Speaking for his aggrieved colleagues, Hector Berlioz wrote, Mr. Donizetti seems to treat us like a conquered country; it is a veritable invasion n. One can no longer speak of the opera houses of […]

REGENT’S DEAR BRUTUS: J.M. BARRIE’S MIDDLE-AGE MEDITATION

If you could live your life over again, would you do it the same way? This question has probably crossed everyone’s mind at one time or another. The Christian Church proclaims that one has many chances through repentance to enter the process of theosis. It certainly crossed the mind of Peter Pan’s author, the Scotsman […]

THE ABBEY THEATRE’S TWO PINTS: On-Site Brilliance

If you were to guess the location of the Abbey Theatre’s first ever on-site theater production, the answer should be a “no-brainer”: A Pub. Of course. Even the dead,  but still-great, American dramaturgical pub-bard Eugene O’Neill could have guessed that. For the past year or so the world-famous theatre company has been taking their new […]

VIRGINIA OPERA OFFERS A RADIANT ELIXIR OF LOVE

I first heard about elixirs of love in 1959 when, through my transistor radio, I heard Jed Lieber’s words about that gypsy with the gold-capped tooth She’s got a pad on Thirty-Fourth and Vine Sellin’ little bottles of Love Potion Number Nine While a new idea to me at the time, the concept of a […]

The MET OPERA: CARMEN AS MORALITY PLAY

Each performance  is custom-made. Unlike film, when stage actors meet before a new audience anything is possible. As the playwright Herb Gardner noted, There is a chance each time the curtain goes up of glory and disaster, the actors and the audience will take each other somewhere, neither knows where for sure.[i] And that magical […]