Author Archives: Paul Kuritz

ON THE 20TH CENTURY: ANOTHER HOMEGROWN CHICAGO MUSICAL SMASH

Unlike the fear of Y2K which heralded the new 21st century, the arrival the twentieth century was the occasion for enthusiasm, hope, and braggadocio. President William McKinley: “The century now drawing to a close has been most memorable in the world’s progress and history. The march of mankind in moral and intellectual advancement has been […]

ATTENTION CHICAGO THEATER: WHERE IS YOUR PRODUCTION OF WILL ARBERY’S HEROES OF THE FOURTH TURNING?

 “Mr. Arbery (MFA Northwestern 2015) is a greatly talented writer who has given us a drama as exciting and challenging—nay, daring—as any new play I’ve ever reviewed. I intend to see “Heroes” onstage as soon as the pandemic ends and it starts to be produced by regional theaters. Don’t wait for that, though.”[i] “I think […]

PORCHLIGHT’S SUNDAY IN THE PARK TOPS 23-24 CHICAGO THEATER SEASON

Our arrival at the gorgeous jewel box Studebaker Theater on South Michigan Avenue was a hall of mirrors experience. On the left hand side was the venerable Art Institute, home to George Seurat’s famous painting., the inspiration for the acclaimed musical Sunday in the Park with George we were about to see. The musical ‘s […]

MADAMA BUTTERFLY AT THE MET: ASMIK GREGORIAN IS BUTTERFLY

The most recent study names Puccini’s Madama Butterfly as the sixth most popular opera in the world. In fact, seeing the opera at the age of sixteen prompted Yoko Watanabe (1953-2004) to a singing career, eventually to the position of the most famous of Japanese opera singers, certainly to be one of the most acclaimed […]

MET OPERA OFFERS RONDINE, PUCCINI’S FRAGILE BITTERSWEET DELICACY

The invitation from Vienna to create an opera based on a sketch by Alfred Maria Willner, Franz Lehar’s librettist, tested Puccini’s stated dislike of the operettas with spoken dialogue . “It is the usual slipshod, banal operetta, the usual contrast between East and West, ballroom festivities and opportunities for dancing, with no study of character […]