Author Archives: Paul Kuritz


Classical music organizations have always looked for ways to expand their repertoire beyond the tried-and-true canon. New symphonies and operas have been commissioned almost from the beginning of the group’s founding. The problem is that the new works have a short life span; few, if any, ever have a life beyond their premiere. Artistic directors […]

A Macbeth to Celebrate

“This tragedy is one of the greatest creations of man!” thought Giuseppe Verdi as he began the long and often frustrating process of bringing his operatic version of Shakespeare’s classic to fruition. Tracing a composer’s creative process can help us appreciate his finished work. When composing this particular work, Verdi poured everything he had into […]


With the approach of the 2020-2021 opera season, we commemorate the centenary of the Chicago Opera Association[i]’s world premiere of Sergei Prokofiev[ii]’s For the Love of Three Oranges, December 30, 1921. The opera, ahead of its time, to say the least, had a rocky road to its opening. PROKOFIEV ARRIVES AND COMPOSES Harold McCormick (1872-1941), […]

1918 Hollywood and the Spanish Flu

    From  The LA EVENING EXPRESS 13 October 1918        

NEW WEBSITE: THE S YMBOLIC WORLD- Chesterton for the 21st Century

                  G.K. Chesterton called them  fairy tales. They inspired C.S. Lewis and J.R.R. Tolkien. SOME solemn and superficial people (for nearly all very superficial people are solemn) have declared that the fairy-tales are immoral; they base this upon some accidental circumstances or regrettable incidents in the war […]