Monthly Archives: January 2024

THE MET’S CARMEN: BRILLIANT MUSICIANSHIP, BUT TEX-MEX IS NOT SPAIN.

“Bullfighting is the only art form that both represents something and is that thing at the same time: the matador’s elegant immobility in the face of the bull not only represents man’s defiance of death, it is a man defying death, and there are women who do it too.”[i] In Bizet’s classic opera Carmen, the metaphor of the life defying […]

PORCHLIGHT’S “ANYTHING GOES” IS A “DE-LOVELY” SURPRISE

When the musical comedy Anything Goes first played in Chicago in 1934 the nation and the city were caught in the country’s worst economic situation – The Great  Depression. The Great Depression was particularly severe in Chicago because of the city’s reliance on manufacturing, the hardest hit sector nationally. Only 50 percent of the Chicagoans […]

The Met’s NABUCCO: Verdi’s Beautiful Prayer for those in Exile

On February 23 of last year, Naomi Wolf,  author, feminist and former advisor to Bill Clinton and Al Gore published a remarkable essay, “Have the Ancient Gods returned?” In it she quotes Jonathan Cahn’s book The Return of The Gods[i]           “Having accurately traced the lineage of pagan worship and pagan forces, Cahn makes the […]