Category Archives: Quotations

National Theatre Live: The Expressionist Hamlet

Lyndsay Turner’s Hamlet, starring Benedict Cumberbatch, is strikingly different from other recent Hamlets. Rory Kinnear ‘s Hamlet directed by Nicholas Hytner, Kenneth Branagh’s 1996 self-directed Hamlet, and Greg Doran’s 2009 David Tennant Hamlet all evidenced the influence of John Barton’s magisterial elucidation of how Shakespeare’s language needed to be played. Barton insisted on a detailed […]

THE MET’S LA BOHEME: DEATH COMES TO NEVERLAND

A band of lost boys, living high above the twentieth century’s urban world, who won’t grow up, led by a free spirit unable to trust the love of the girl who loves him totally. J.M. Barrie’s Peter Pan? Think again. Giacomo Puccini’s La Boheme. Imagine Peter cradling a dying Wendy in his arms and you […]

VIRGINIA OPERA’S DREAM: THE MYSTICISM OF HAPPINESS

The great British essayist G. K. Chesterton considered Shakespeare’s A Midsummer Night’s Dream to be a masterful presentation of “the mysticism of happiness.” He went on to explain: “That is to say, it is the conception that when a man lives upon a borderland he may find himself in the spiritual or supernatural atmosphere, not […]

The Met’s ELIXIR OF LOVE: Wine, Women and Song

I first heard about elixirs of love in 1959 when, through my transistor radio, I heard Jed Lieber’s words about that gypsy with the gold-capped tooth She’s got a pad on Thirty-Fourth and Vine Sellin’ little bottles of Love Potion Number Nine But the idea of a potent which causes love is ancient. At the […]

LADY BIRD: A TREE GROWS IN SACRAMENTO

The story was called the “best of the year” by the New York Times The author was hailed as a “fresh, original, finished talent” who tells a story about a young girl’s “coming of age”, “growing up and the beginning of wisdom,” “no unsavory detail” is omitted in a tale that has “light and air […]

VIRGINIA OPERA’S THE GIRL OF THE GOLDEN WEST: IMPORTANT OPERA, WONDERFUL REJUVENATION

The occasion of the Virginia Opera’s production of Puccini’s The Girl of the Golden West offers the opportunity to discuss a man whose name was once almost synonymous with the American theater – David Belasco. Belasco (1854-1931) was born in San Francisco, educated by Jesuits, and on the stage from childhood. Author or adaptor of […]

VIRGINIA ARTS FESTIVAL: YO-YO MA & KATHRYN STOTT – RECALLING EDEN

The power of beauty breaks incomprehensibly, unnaturally, and completely irrationally into this world and rules it, for beauty is regal and cannot fail to rule, and the whole world stretches out to beauty as to the light. It is our special recollection of Eden, of ourselves in our true condition.                               […]

Virginia Symphony: Bach to Reformation – Dinnerstein Dazzles

The occasion of the Virginia Symphony’s FROM THE MUSIC OF BACH TO THE REFORMATION SYMPHONY raises the subject of the overwhelming amount of Christian music associated with historic Protestantism. Why is that? The answer begins in the religious practices of the ancient Hebrew people. Jews, at the time of Jesus Christ, had a tradition of […]

Little Theatre of Norfolk’s ARSENIC AND OLD LACE: Classic Comedy

Question: Why is it called a “Little” Theatre? Answer: Because the first one, The Little Theatre of Chicago, had just 99 seats. A brief histoy lesson: At the turn of the twentieth century powerful monopolies and trusts controlled and regulated just about everything in America. Even theatrical production. Known as “The Syndicate,” a cabal of […]

VIRGINIA SYMPHONY: THE BEST OF WAGNER’S RING

The Virginia Symphony presented THE BEST OF WAGNER’S RING CYCLE, conducted by JoAnn Falletta, narrated by bass-baritone Jake Gardner. ” Entry of the Gods into Valhalla” from Das Rheingold, “Ride of the Valkyries” and “Wotan’s farewell & Magic Fire Music” from Die Walkure, “Forest Murmurs’ from Siegfried, and “Siegfried’s Rhine Journey” and “Siegfried’s Death and […]