Category Archives: from Paul

Paul’s posts.

LAZARUS PATH: A FILM FOR OUR TIMES

Father Stephen Freeman considers Lazarus, the brother of Mary and Martha, whom Jesus raised after four days in the tomb, to be a sign of the “universal entombment. Even before we die, we have frequently  begun to inhabit our tombs. We live our life with the doors closed (and we stink). Our hearts can be […]

THE MET’S “LES CONTES D’HOFFMANN”: WHERE THE PARTS ARE GREATER THAN THE WHOLE

  Ernst Theodor Amadeus Hoffmann (1776-1822), better known by his pen name E. T. A. Hoffmann, was possibly the most original and influential fiction writer of the German Romantic era. Known today primarily for his literary works, Hoffman was also a lawyer and composer. He changed his middle name to Amadeus due to his great […]

NOISES OFF: STEPPENWOLF TRIES FARCE

Throughout history audiences have enjoyed stories about putting on plays or making movies. The highlight of Shakespeare’s A Midsummer Night’s Dream is always the rude mechanicals’ presentation of “the most lamentable comedy and most cruel death of Pyramus and Thisbe.” (The more lamentable, the better. Audiences especially love badly done attempts to make theater and […]

BEETHOVEN’S MUSIC SPARKLES IN LYRIC’S FIDELIO

Beethoven wrote only one opera – Fidelio. The Lyric Opera’s production of this singular work highlights the season’s debut of the famous Lyric chorus under the inspired direction of Michael Black, the thrilling playing of the Lyric orchestra led by the always meticulous Enrique Maszzola, and the uniformly dynamic singing of the principal vocalists. Beethoven […]

MAZZOLA, BIRNBAUM, AND SINGING ACTORS OFFER A BRILLIANT RIGOLETTO TO OPEN OPERA SEASON

For the past several years one couldn’t find a production of Giuseppe Verdi’s Rigoletto outside of a “new and improved interpretation”, usually set in a time and place closer to our own. The reasoning was that such a reinterpretation made it easier for the  “boobus Americani” to see how the themes of the work relate […]