Monthly Archives: September 2022

LYRIC’S FIDDLER ON THE ROOF: SWAN SONG FOR TRADITION

Fiddler on the Roof, the world-famous musical adaptation of the stories of Sholom Aleichem, opens with the glorious song, “Tradition”, which proudly announces the subject of the musical story about to unfold. The dean of American theater critics Harold Clurman explains what is meant here by “tradition”: “This tradition, which might superficially be taken to […]

RED-BLOODED ERNANI OPENS LYRIC SEASON

None of Verdi’s four previous operas did as much as Ernani for his reputation. Ernani (1844) owed its popularity to the coattails of Victor Hugo’s monumental Hernani (1830). Critics who complain of Ernani’s plot devices totally misunderstand what Victor Hugo was trying to do. The play Hernani was a full-scale assault on the reigning New-Classicism […]

Handel’s JEPHTHA: Being Right in One’s Own Eyes: The Music of the Baroque’s Electrifying Performance

The most commonly used word to describe Georg Friedrich Handel’s 1752 oratorio Jephtha is “dark”. And the word has nothing to do with the fact that the composer was going blind as he was composing. Jephtha, Handel’s last oratorio, is his most troubling masterpiece. The work contemplates the often inscrutable role of the divine in […]