When Philip Glass’ Akhnaten first appeared in 1984, the New York Daily News was moved to label Mr. Glass “the Ronald Reagan of composers. This time around, no one is thinking of Ronald Reagan after experiencing the Glass/Kamensek/McDermott/Pollard/Pay production at the Metropolitan Opera. Instead, the words ”breathtaking”, “hypnotic”, “gorgeous”, “luscious”, “overwhelming”, and “beautiful,” are most […]
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