Category Archives: The Gospel of the Kingdom

CHICAGO SHAKESPEARE’S MACBETH: Imagination’s Descent into Hell

 Viewed in the context of his other work, Macbeth is Shakespeare’s Descent into Hell. And since it is his Inferno, it is appropriate that the terrestrial and celestial parts of his universe should figure slightly.[i] Those words by University of Chicago Shakespearean scholar Harold Goddard summarize the production Aaron Posner and Teller have created at […]

STUDIO THEATRE’S TRANSLATIONS: ANOTHER KIND OF PRODIGAL SON

Set in rural Ireland in 1833, Brian Friel’s’ Translations explores the troubles brought to a handful of characters following the return of a prodigal son.  Whereas the prodigal in Christ’s parable returned ashamed and broken, Friel’s prodigal returns home proud and puffed up. Maire, a local maiden, has long been betrothed to Manus, the oldest […]

THE MET’S LUISA MILLER: A TALE OF THREE FATHERS

Tragedy has been defined as a family destroyed and comedy as a family being created. Due to his own tragic experiences, Giuseppe Verdi was always interested in putting families on stage. The deaths of his children and his first wife had a profound and permanent effect on Verdi. In addition, he was a dutiful son […]

VIRGINIA OPERA’S DREAM: THE MYSTICISM OF HAPPINESS

The great British essayist G. K. Chesterton considered Shakespeare’s A Midsummer Night’s Dream to be a masterful presentation of “the mysticism of happiness.” He went on to explain: “That is to say, it is the conception that when a man lives upon a borderland he may find himself in the spiritual or supernatural atmosphere, not […]

LES MIS: THE ENERGIZER MUSICAL

The musical Les Misérables premiered on  September 24,1980; Duracell’s Energizer Bunny debuted nine years later, but unlike the pink bunny, Schonberg’ and Boubil’s musical keeps getting stronger and stronger. Over 70 million people in 44 countries never grow tired of this magical stage work. (Aside from Hamlet, Kathleen and I have seen Les Mis more […]

DYLAN IN RICHMOND

Bob Dylan’s concert in Richmond took place at the Richmond Coliseum, an edifice best described by the famous line, “What. A. Dump!” Nevertheless, the ageless Mavis Staples opened the three hour show with a feisty backup band as she reviewed some of her greatest hits and introduced a few of her new songs from her […]

VIRGINIA ARTS FESTIVAL: YO-YO MA & KATHRYN STOTT – RECALLING EDEN

The power of beauty breaks incomprehensibly, unnaturally, and completely irrationally into this world and rules it, for beauty is regal and cannot fail to rule, and the whole world stretches out to beauty as to the light. It is our special recollection of Eden, of ourselves in our true condition.                               […]

Virginia Symphony: Bach to Reformation – Dinnerstein Dazzles

The occasion of the Virginia Symphony’s FROM THE MUSIC OF BACH TO THE REFORMATION SYMPHONY raises the subject of the overwhelming amount of Christian music associated with historic Protestantism. Why is that? The answer begins in the religious practices of the ancient Hebrew people. Jews, at the time of Jesus Christ, had a tradition of […]

VIRGINIA OPERA PRESENTS RARE SAMSON AND DALILAH

The occasion of the Virginia Opera’s production of Camille Saint-Saens’ 1877 SAMSON AND DALILAH underscores the fact Camille Saint-Saens’ work is one of only a handful of operas based on Biblical stories. Why is that? Many historical factors account for the phenomenon. First, during the late sixteenth century, when opera was being developed, the Pope, […]

TIDEWATER STAGE’S THE CHRISTIANS: ONE HELLUVA SHOW

Few of the “educated elite” in society still believe in the reality of Satan. C.S. Lewis exposed Satan’s now completed program to spread disbelief in The Screwtape Letters[i]: I do not think you will have much difficulty in keeping the patient in the dark. The fact that “devils” are predominantly comic figures in the modern […]