Category Archives: Men and Women

The Met’s NABUCCO: Verdi’s Beautiful Prayer for those in Exile

On February 23 of last year, Naomi Wolf,  author, feminist and former advisor to Bill Clinton and Al Gore published a remarkable essay, “Have the Ancient Gods returned?” In it she quotes Jonathan Cahn’s book The Return of The Gods[i]           “Having accurately traced the lineage of pagan worship and pagan forces, Cahn makes the […]

MET OPERA’S FLORENCIA EN EL AMAZONAS ENCHANTS WITH BEAUTY AND IMAGINATION

Composer Daniel Catan has been quoted as saying that he needed ” to write music that was seductive, glittering, and mesmerizing.” His opera Florencia en el Amazonas ia a welcome and enchanting addition to the world’s operatic contemporary repertoire, which has been dominated by nihilistic interpretations of classic operas. The libretto is by Marcela Fuentes-Berain, […]

FINE ARTS BUILDING IN AMERICAN THEATRE HISTORY

The City of Chicago proclaimed Friday, October 13, as “Fine Arts Building Day” in recognition of its 125th anniversary year. The Fine Arts Building also played a significant role in the history of the American theater by hosting the landmark Chicago Little Theatre. When the Fine Arts Building opened in 1885 as a Studebaker automobile […]

RED-BLOODED ERNANI OPENS LYRIC SEASON

None of Verdi’s four previous operas did as much as Ernani for his reputation. Ernani (1844) owed its popularity to the coattails of Victor Hugo’s monumental Hernani (1830). Critics who complain of Ernani’s plot devices totally misunderstand what Victor Hugo was trying to do. The play Hernani was a full-scale assault on the reigning New-Classicism […]

Handel’s JEPHTHA: Being Right in One’s Own Eyes: The Music of the Baroque’s Electrifying Performance

The most commonly used word to describe Georg Friedrich Handel’s 1752 oratorio Jephtha is “dark”. And the word has nothing to do with the fact that the composer was going blind as he was composing. Jephtha, Handel’s last oratorio, is his most troubling masterpiece. The work contemplates the often inscrutable role of the divine in […]