Category Archives: from Paul

Paul’s posts.

TIDEWATER STAGE’S THE 39 STEPS: A HILARIOUS HOMAGE

“Spoof’ was originally a late 19th century drinking game involving coins. By the late 1950s the term began to be used to describe a skit or “send-up” of a popular literary or cultural genre. By the late 1970s “spoof” had engendered a theatrical movement known as the “Theatre of the Ridiculous”, itself a send up […]

Druid’s WAITING FOR GODOT: An Irish Triumph

Garry Hynes’ amazing production of Samuel Beckett’s Waiting for Godot made its first stop on Druid’s American tour at Charleston, South Carolina’s 2017 Spoletto Festival, The occasion is significant for several reasons. First, the production demonstrates conclusively why Beckett’s famous play is rightly considered a masterpiece of dramatic theater. Second, Ms. Hynes production rescues the […]

MY FIRST TATTOO

No, not that kind of tattoo! I mean the kind of tattoo I didn’t even know existed until a few weeks ago. The tattoo I mean originated in the England of 1644 as the name for a signal made, by drum beat or bugle call, in the evening for soldiers to return to their quarters, […]

EUGENE ONEGIN at the Met: Netrebko Redefines Tatiana

Some fans of Alexander Pushkin’s great and iconic verse novel Eugene Onegin can’t stomach Pytor Illyich Tchaikovsky’s operatic version. Too much of the master Russian author’s brilliance is lost, they say, in the opera’s simplified libretto, written in only nine days. Pushkin’s 1833 novel is a text that “divides Russian literature into a ‘before’ and […]

Little Theatre of Norfolk’s NOISES OFF: A Joyous Celebration of Theater

Throughout history audiences have enjoyed stories about putting on plays or making movies. The highlight of Shakespeare’s A Midsummer Night’s Dream is always the rude mechanicals’ presentation of “the most lamentable comedy and most cruel death of Pyramus and Thisbe.” (The more lamentable, the better. Audiences especially love badly done attempts to make theater and […]

ShawChicago’s HEARTBREAK HOUSE: Shaw’s Black Comedy

The Great War and its prelude flabbergasted Bernard Shaw more than any other event in his life. In addition, the end of his relationship with Stella Campbell left him as close to heartbroken emotionally as he ever would be. The sobbing, humiliated, protesting, exposed, and unprepossessing character of Heartbreak House’s Boss Mangan reflects Shaw’s emotional […]

The Goodman Theatre: Uncle Vanya , Our Contemporary

Todd Rosenthal’s sublime setting which greeted the audience entering the Owen theater alerted us to what was to come. Among the period pieces of furniture sat a 1950s-style blond wood arm chair and a chrome dinette chair. A 1920s-radio rested upon the piano and a goose-neck electric light roosted nearby. Then came the note by […]

Lyric Opera’s CARMEN: Ashford and Calleja Make History

“Bullfighting is the only art form that both represents something and is that thing at the same time: the matador’s elegant immobility in the face of the bull not only represents man’s defiance of death, it is a man defying death, and there are women who do it too.”[i] In Rob Ashcroft’s magnificent new telling of Bizet’s Carmen, the […]

Artistic Home’s BY THE BOG OF CATS . . . : Harrowing Irish Drama

Move over Lucia, Dido, and Norma! There’s a new operatic heroine in town. Marina Carr’s Hester Swane may not be a Scottish lady, or a Carthaginian princess, or a Druid priestess, but this down-and-out Irish tinker suffers more passionate abandonment by loved ones in her brief stage lifetime than all three opera divas suffer together […]

CST’s Love’s Labor’s Lost: A Charming Delight

Harold Bloom, Yale’s Sterling Professor of the Humanities, has a particular desire to see Shakespeare’s Love’s Labor’s Lost: I have never seen a production of this extravagant comedy that could begin to perform to its vocal magnificence, but I always live in hope that some director of genius will yet deliver it to us. Marti […]