Category Archives: Dance

RICHMOND BALLET’S NUTCRACKER: MAKING TRADITION EXCITING

The publicity for the Richmond Ballet’s Nutcracker quotes the New York Times: “one of the country’s most perfect”. I haven’t seen enough Nutcrackers to weigh in with any comparison, but I can safely say that Stoner Winslett and Charles Caldwell’s version accomplishes the seemingly impossible. Their Nutcracker looks very traditional, while simultaneously being thrillingly imaginative. […]

VIRGINIA OPERA PRESENTS RARE SAMSON AND DALILAH

The occasion of the Virginia Opera’s production of Camille Saint-Saens’ 1877 SAMSON AND DALILAH underscores the fact Camille Saint-Saens’ work is one of only a handful of operas based on Biblical stories. Why is that? Many historical factors account for the phenomenon. First, during the late sixteenth century, when opera was being developed, the Pope, […]

Lyric Opera’s CARMEN: Ashford and Calleja Make History

“Bullfighting is the only art form that both represents something and is that thing at the same time: the matador’s elegant immobility in the face of the bull not only represents man’s defiance of death, it is a man defying death, and there are women who do it too.”[i] In Rob Ashcroft’s magnificent new telling of Bizet’s Carmen, the […]

The Goodman Theatre’s Wonderful Town: A Wonderful Show

Occasionally a production arrives with such startling imagination, and with performances overflowing with such zest and talent, that a viewer is at a loss for words. The production I am referring to is Mary Zimmerman’s Wonderful Town at the Goodman Theatre. The 1950s musical is based on the post-World War II play My Sister Eileen […]

LYRIC OPERA’S THE KING AND I: AN OPULENT BEAUTY AND THE NICE GUY

At the heart of all of Rodgers and Hammerstein’s great musicals – Oklahoma, Carousel, South Pacific, The Sound of Music, and The King and I – is the tale of Beauty and the Beast. Each Beauty – Laurey, Julie, Nellie, Maria, Anna – transforms the macho wild Beast in their life – helps their man […]

ROBERT JOFFREY’S THE NUTCRACKER: Christmas in the Shadow of Death

Chicago’s Auditorium Theater is the perfect setting to view Robert Joffery’s jarring, beautiful, and profound interpretation of Peter Ilyich Tchaikovsky’s ballet The Nutcracker danced brilliantly by his namesake company, and played wonderfully by the Chicago Philharmonic Orchestra. Adler and Sullivan’s magnificent theater interior was meant “to express growth and decadence as the two great cyclic […]