Category Archives: Current Events

CST’s Love’s Labor’s Lost: A Charming Delight

Harold Bloom, Yale’s Sterling Professor of the Humanities, has a particular desire to see Shakespeare’s Love’s Labor’s Lost: I have never seen a production of this extravagant comedy that could begin to perform to its vocal magnificence, but I always live in hope that some director of genius will yet deliver it to us. Marti […]

Raven Theatre’s ASSEMBLED PARTIES: A Doubter’s Christmas Carol

Christmas has been the occasion for two classic plays, Hamlet and Ibsen’s Doll’s House. Ironically, as the Christian Feast of the Nativity has become secularized, the occasion has been used by more and more contemporary playwrights to give dramatic resonance to their work. The late Harry Kondoleon’s Christmas on Mars, Rebecca Gilman’s Luna Gale, and […]

Lyric Opera: Chicago’s Third Great NORMA

As late as 1920, American musicologists considered Vincenzo Bellini’s Norma “an improbably old-fashioned, almost hurdy-gurdy work.” But thanks to Chicago sopranos, that opera has become a standard of the American operatic canon. Written when Bellini (1801-1835) was just thirty years old, Norma had played in Chicago since the mid-nineteenth century by various visiting opera companies. […]

The Irish Theatre of Chicago’s THE WEIR: “A strange [but wonderful] little evening”

When I lived on a five-acre farm in Maine, I found myself strangely fascinated with the behavior of male birds. It seemed that whenever a female swallow appeared the male swallows engaged in all sorts of madcap aerial displays, loop-d-loops, dives, deal falls, etc. On the other hand, when a female cowbird appeared, the male […]

LYRIC OPERA’S MAGIC FLUTE: A Metatheatrical Spectacular

Reviewing an 1879 production of Mozart’s The Magic Flute, the anonymous Chicago Tribune critic noted, “it would be absurd to try to explain the plot…. All sorts of explanations have been attempted but, if anyone ever really knew what it meant, he died before he said anything about it. It is a hodge-podge, nonsense, and […]

Remy Bumppo’s PYGMALION: Run, Don’t Walk. Now.

If you think you might ever want to see Bernard Shaw’s famous comedy, Pygmalion, now is the time. Don’t wait. Head to the Remy Bumppo Theatre. You won’t find a better collection of actors finding every jot and tittle of comedy and drama in this sometimes-baffling play. Bernard Shaw’s Pygmalion is a peculiar example of […]

CST’s King Charles III: The Tragedy of a Virtuous Man

Mark Twain’s The Prince and the Pauper was my favorite novel as an elementary school student. I easily identified with young Tom Canty and saw the young Prince of Wales as my own contemporary Prince of Wales, Charles, whom I was fascinated to learn was but six weeks younger than I. I have maintained my […]

CHICAGO SHAKESPEARE’S TUG OF WAR: CIVIL STRIKE- Suffering Outside of Divine Providence

From his earliest plays to his final works, William Shakespeare confirmed his world’s confidence in Divine Providence. Divine Providence is the means by which God leads his creatures to their destined end. To thwart or reject this movement, is to risk the attainment of one’s destiny. Man is assured of Providential guidance, if, in conformity […]

ShawChicago’s Misalliance Is A Hit

Bernard Shaw’s Misalliance is a comedic discussion and debate about many of society’s misalliances, but especially the misalliance between parents and children. Shaw believed children would be better off not knowing the identity of their parents, a belief probably fueled by Shaw’s own uncertainty of his own father’s identity. Hypatia Tarleton (Allison Cook) is the […]

The Goodman Theatre’s Wonderful Town: A Wonderful Show

Occasionally a production arrives with such startling imagination, and with performances overflowing with such zest and talent, that a viewer is at a loss for words. The production I am referring to is Mary Zimmerman’s Wonderful Town at the Goodman Theatre. The 1950s musical is based on the post-World War II play My Sister Eileen […]